![]() One, Legs McNeil, is the man some credit with giving punk music its name in the first place, when he christened Punk magazine in 1975. ![]() Perhaps the book’s mix of iconoclasm and literary ambition makes sense considering it was co-authored by two writers with very different backgrounds, but a surprising like-mindedness. It took nonfiction back to its primal urges. Finally, here was a book about punk that reflected the actual spirit of the movement by representing its subjects’ words as directly as possible, with a minimum of filters or interference from the authors. With its modernization of the oral history tradition-telling its 424-page story entirely in a string of quotes that form a solid, winding narrative-it’s practically impossible to overstate the degree to which Please Kill Me: The Uncensored Oral History of Punk revolutionized both the book industry and the way we think about storytelling when it was published in 1996.ĭespite its gritty, grimy subject matter (or, more accurately, because of it), Please Kill Me was sublimely elegant in the way it matched form to content. ![]() ![]() In much the same way that punk was a musical revolution, the definitive book about punk was a literary one. As they prep the 20th anniversary edition of their punk history ‘Please Kill Me,’ Legs McNeil and Gillian McCain look back at how the groundbreaking oral history changed not just the publishing industry, but also the way we tell stories ![]()
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